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Ceramics for Beginners: Animals and Figures

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August 2011  128 pages Hardcover 8 1/2x 11
Susan Halls
The fourth book in the successful ceramics series covers one of the most popular subjects: figurative design. 
Even experienced ceramists sometimes approach the challenge of self-supporting, standing human and animal forms with caution. But anyone who has rolled out dough or pinched a piecrust can create the 12 projects in this hands-on guide! Acclaimed ceramist Susan Halls breaks down the process of molding figurative shapes into simple, easily mastered geometric constituents like tubes, bowls, and boxes. For the perfect finishing touch, she explores smoke and sawdust firings in addition to the usual ceramic glazes. A gallery of work from other artists further illustrates the artistic possibilities.

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500 Ceramic Sculptures

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May 2009  420 pages  Paper with flaps  all in color   8 X 8
Angelica Pozo
The successful 500 series shines a spotlight on today’s most breathtaking ceramic sculptures. Selected from more than 8,000 entries by the distinguished art critic, historian, and professor Glen R. Brown—an elected member of the International Academy of Ceramics in Geneva—these exquisite works will inspire both beginning and professional ceramists, as well as collectors and enthusiasts. They include Esther Shimazu’s hand-built, Asian-influenced nudes; Von Venhuizen’s mixed-media, wheel-thrown stoneware, and Katy’s Rush’s slip-cast and press-molded porcelain. Every work is amazing.   

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500 Figures in Clay: Ceramic Artists Celebrate the Human Form         

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Paperback, 408 pages, September 1, 2004
Veronika Alice Gunter - Editor
The latest in the 500 series.  

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As expected for a Lark book, this is the best all around sculpture book we have seen..

The Figure in Clay: Contemporary Sculpting Techniques by Master Artists   (a Lark Book)  

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Paperback, 176 color pages 8.5x11", 08/2005  
Veronika Alice Gunter
Nine master ceramic artists present their personal approaches to sculpting the human figure in a spectacular volume that's both technically illuminating and visually inspirational. The outstanding examples range from representational to abstract, diminutive to heroic. Nan Smith uses a range of mold-making techniques and precise slab construction, while Akio Takamori coil-builds a simplified figure inspired by a Velásquez painting and Christyl Boger creates a lavishly decorated, classically formal figurine. Each featured sculptor discusses the unique attractions and challenges of his or her method, and a series of detailed color photographs follows the artwork as it takes shape. In addition, there's a gallery of contemporary pieces selected by the major contributors. Glen R. Brown, a noted writer on ceramics, provides an insightful, thought-provoking introduction.

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Encyclopedia of Sculpture Techniques 

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John Mills   240 pages, paperback, 7 1/4 x 9 3/4".  25 color illustrations, 160 b/w illustrations

From accelerators (chemicals that speed up the hardening process) to workmate (a portable workbench popular in many studios), this key reference contains all a working sculptor needs to know! Not only does it include details on techniques, but if offers guidance on a wide selections of materials, from bronze and concrete to polystyrene and glass. Hints on adapting tools and producing unusual finishes all give sculptors greater versatility in their craft. And the recipes-including one for mixing aggregates-plus facts about setting, hardening, and curing times will prove invaluable. Numerous photos show sculptors at work, and showcase famous sculptures, and there are diagrams of tools. It's the definitive guide to studio practice.

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Encyclopedia of Sculpting Techniques 
A Comprehensive Visual Guide to Traditional and Contemporary Techniques

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John Plowman  January 2003 176 pages  paperback, all in color 8 3/4 x 8 3/4
Cast and carve, weld and mold, model and rivet: whichever method you choose, sculpting is intense and rewarding. From assemblage to brazing, more than 30 techniques unfold in these beautifully illustrated pages. The pleasure begins with a chart of possible materials: the large menu of imaginative options includes clay, plaster, wood, stone, and papier mâché, as well as more unusual suggestions like aerated concrete block, rubber, and found objects. Create an armature for producing a life figure. Form a bird from such surprising items as plastic coat hangers, felt-tip pen caps, and a threaded steel rod. Form a steel fish by melting metal with an acetylene torch and welding pieces together. Finish off by coloring, make repairs when something goes wrong as you work, and find inspiration in photos of magnificent pieces, all arranged by theme. You'll build a solid foundation for your sculpture-making skills.

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Modeling the Figure in Clay 
A Sculptors Guide to Anatomy

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144 pages, 250 photos.  
Bruno Lucchesi
A famous sculptor shows how he creates a complete figure in clay.  This books covers the skeleton, male and femail anatomical figures, skin and hair from all angles, with close up details.  From the foreward "As a sculptor myself, I have long felt the need for a reference source for human anatomy that speaks my language, the language of sculpture... if only I could actually see how one bone attaches to the next, how a particular muscle is formed and laid on, I would be able to at least begin to understand the structure of the human body.  So for me, this book is a dream come true.  For the first time, I can actually see a body put together in sculptural terms, from start to finish.  ...  But there is more here than the facts of human anatomy.  The great different between this book and other, conventional anatomy books is that this books shows the sculpting process as well as the finished anatomical reference.  Not only will the reader learn where each bone and muscle goes, but how it is made: that is, how it is modeled in clay!" 

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Modeling the Head in Clay

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160 pages, 250 photos.  
Bruno Lucchesi
A famous sculptor demonstrates his personal techniques for capturing the elusive and compelling qualities of the human head.  A reader review: "I bought this book (along with several others) while taking a class in sculpture. I found it to be the most informative and inspiring of any source, including my sculpture teacher. Using a series of close-up, detailed photographs, the book walks the student through the steps of creating a clay head. I followed them and made a good sculpture of a man's head and later a bust of a woman. I went on to make other clay faces, incorporated into mugs and pots. I don't pretend to be a great sculptor but, thanks to this book, I am able to make recognizable sculptures. The excellent directions include how to control surface texture using water and a brush; it is possible to make clay look like skin. If you are struggling to bring clay to life, this book doesn't just tell you how, it shows you how."

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