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Making Marks  

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Softcover · 8 1/4 x 10 7/8  304 pages · 250 color photos, plus illus.  

Robin Hopper

Professional studio potter Robin Hopper, drawing from nearly 50 years of experience, offers a wealth of ceramic surface decoration possibilities—some rarely ever exposed—in this brand new all-inclusive guide! The expansive range of techniques provided in Making Marks, together with the straightforward tips for successful use, is a formula guaranteeing remarkable results for potters, teachers, students, collectors, or anyone with an interest in ceramics.

From the fundamentals (basic approaches to drawing, color theory, glaze development, and spatial development) to the clay processes (decoration with tools, adding and removing marks, and use of liquid and color clays), and from the pigment processes (variables of colorants, brush, stamp, spray, and pencil marks, and resistance techniques) to the glazing and firing processes (glaze application methods, heat and flame, vapor and fume, and multiple fired surfaces), this guide contains everything readers want and need to know—there has never been a more complete guide on decorative techniques for ceramic surfaces!

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Ceramic Transfer Printing  (Decals)

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Softcover | 144 Pages 

Kevin Petrie

Ceramic Transfer Printing is aimed at those in ceramics who wish to move into print and transfers, a very exciting area which has expanded massively in the last 10 years. Transfers, or decals, have great potential as a means of creative expression. Printmaking allows reproduction of both photographic and ‘hand drawn’ imagery, pattern and text onto the surface of two and three-dimensional ceramic objects.

Unlike most books on ceramic transfers, this book just focuses on ceramics and print in the context of transfers and decals. These can be done very simply or in more sophisticated ways. It allows you, for example, to create your own screen print or take a photo and then create your own transfer or decal to place the image and fix it to the ceramic surface.

Ceramic transfer (or decal) printing, provides an exciting creative potential for any ceramic artist. With the up-to-date techniques detailed here, you can transfer pictures, patterns or text onto both two- and three-dimensional forms. Most importantly, printing on ceramics achieves distinct aesthetic effects not possible using any other decorating techniques.

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Dry Glazes 

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128 pages | 6 1/8 x 9 1/4 | 120 color illus.
Paper 2009 | ISBN 978-0-8122-2097-1

Jeremy Jernegan
Dry glazes, also known as matte glazes, provide ceramic artists with an alternative to conventional glossy and transparent finishes. Potters such as Lucie Rie and Hans Coper frequently used matte and opaque coatings in their work. Contemporary sculptors employ dry glazes to add texture and depth to the surface of their pieces. Still, little information has been published on matte glaze techniques until now.

In Dry Glazes, artist and educator Jeremy Jernegan covers everything ceramicists need to know to create and manipulate a range of matte glazes, from satin to cratered. This compact yet complete guide contains more than 270 formulas and recipes for slips, sigillatas, vitreous englobes, oxides, and stains. Jernegan gives clear and thorough instruction on application and firing methods, including raku. He also explains safe and environmentally responsible ways to handle the chemicals involved. Dry Glazes not only contains step-by-step color photographs of test tiles and procedures; it features illustrations of works by contemporary makers who have used matte glazes to great effect.

With over one hundred illustrations and an in-depth treatment of techniques, materials, and creative approaches, Dry Glazes is a smart addition to any clay worker's library. It is a practical and inspirational resource for ceramics practitioners, instructors, and students who want to make or alter their own glazes.

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The Ceramic Glaze Handbook: Materials, Techniques, Formulas

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Lark books, 144 pages, 444 color photos  Softcover

Mark Burleson

After a brief look at the origins of glazes and the materials they are composed of, Burleson discusses the firing ranges and atmosphere in a kiln that affect the glaze.  Next, he explains the terms used to describe surface qualities, then touches on health and safety issues, as well as glaze mixing and testing.  Glaze application techniques are also covered, as are additives, color and texture under and overglazes, and glaze faults.  The book concludes with a section providing recipes for earthenware, majolica, raku, Cone 5-6 oxidation, stoneware and atmospheric firings.  Each recipe includes a photographs of the fired glazes, along with a close-up of the surface.  

Surface Design for Ceramics 

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144 pages Hardcover  8 1/2 X 11 July 2008  all in color

Maureen E. Mills

For ceramists of any level, surface design is an essential skill for creating beautiful work. And this comprehensive and invaluable studio reference captures all the popular techniques available for embellishing clay. A wealth of practical information and detailed images lead you through every phase of the process—from the wet and leather-hard stages (faceting, carving, burnishing) through bisque ware (terra sigillata and slip work), to firing (glazing methods) and post-firing (decals, lusters, and raku). Because the procedures shown all require the same basic skill level, readers can dip in at any point. Time-tested recipes are offered in abundance, photos of fired demonstration pieces show the final effect, and top-quality contemporary gallery pictures display the fabulous results.  Sidebars throughout offer options for further exploration.

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China Paint and Overglaze  

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March 2007  Hardcover  248 pages  288 photos and ills.
Paul Lewing

China paint—fired at the lowest end of the ceramic range—offers consistent, durable, predictable color, from the brightest hues to the subtlest gradations. Any effect that paint or ink can achieve, china paint can duplicate. For the ceramic artist interested in exploring this robust medium to the lifelong china painter, China Paint & Overglaze is the essential text.

This groundbreaking book, the first to showcase the work of traditional china painters and contemporary potters and clay sculptors together, includes many unique features on every aspect of exciting and colorful medium.

Contents
The History of Porcelain and Overglaze Decoration
Tools and Equipment
Mediums and Solvents
Painting with Overglazes
Kilns and firing
The Chemistry of China Paint
Safety and Durability

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Potter's Book of Glaze Recipes  

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Second Edition  208 pages   6 1/8 x 9 1/4   475 color illus.
Hardcover 2004 
Emmanuel Cooper
Emmanuel Cooper's classic guide to making glazes is now available in a thoroughly revised new edition. Cooper provides potters with an introductory section on glaze materials, coloring, mixing, and the application of glazes, as well as information on health and safety issues. This essential guide also features over 400 recipes ranging from opaque, matte, and transparent glazes to crystalline and black iron glazes, organized according to their varying temperature ranges.

The Ceramic Surface  

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208 pages | 8 1/2 x 11 | 225 color illus.
Hardcover 2002 | ISBN 0-8122-3701-3
Matthias Osterman
A remarkable diversity of techniques being used to treat the ceramic surface. Matthias Ostermann presents an exploration of the ceramic surface--focusing on the vessel and platter--that includes the nonfunctional, the metaphoric, the narrative, and even the sculptural. Through an examination of the works of 200 ceramicists from around the world, he provides a broad overview of contemporary techniques and approaches.  Ostermann covers a wide variety of techniques for making, decorating, and firing, as well as the full spectrum of clays and firing temperatures. Each image is accompanied by technical information, as well as a statement of the artist's inspiration and motivation that offers insight into the concept of the piece.

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Image Transfer on Clay: Screen, Relief, Decal & Monoprint Techniques

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Lark  October 2006  112 pages
Paul Andrew Wandless 
The first comprehensive how-to book on the topic! Contemporary ceramists have adapted traditional printmaking procedures to transfer images onto clay surfaces. And, with this thorough resource, anyone can take advantage of these techniques in their own home studio—even those with no printmaking background. The simple processes don’t require fancy equipment. Use silk-screen decals with light-sensitive emulsions to create a master image: then cover with glazes, and voilá! Use colored slips for unique monoprints. Work with stencils, relief blocks, or stamps, trying a variety of materials to mark the clay surface. Each method is carefully laid out in numerous photos, and shown on a finished piece. More than 100 images by leading contemporary artists showcase the techniques and provide a wealth of inspiration.

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Resist and Masking Techniques

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Paperback (December 1995)
Peter Beard
The use of wax, paper, clay and other materials to prevent the effects of heat, fire, smoke, chemical reactions, colours and glazes from altering or contaminating the surfaces of work is very popular with ceramicists. However, learning to use these techniques can be a long and frustrating process, particularly when complicated by considerations of the state of the clay and
which form of glazing is to be used. In this book, Peter Beard discusses the techniques of masking and resist and gives guidance as to how best to use various materials and firing methods to achieve a wide range of finishes. 

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Ceramics and Print

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Second Edition  160 pages | 6 1/8 x 9 1/4 | 126 color, 10 b/w illus.  Paper 2002 | ISBN 0-8122-1800-0
Paul Scott
Printmaking techniques have long been used in the pottery industry, but until comparatively recently ceramicists have tended to view the use of these techniques with disdain. Attitudes are changing rapidly now, however, as makers continue to explore creative possibilities while working with ceramic materials.  In this book, Paul Scott briefly discusses the history of ceramics and print, and then concentrates on the techniques used by contemporary ceramicists. These include: screen printing, both transfer decoration and working directly onto clay; photographic processes; sponge printing; stamped ware; linocuts; prints from plaster slabs; and other printmaking techniques.  For this new edition Ceramics and Print has been significantly expanded and treats recent developments in the use of the photocopier, laser printer, and computer-generated prints. Many of the illustrations are new, and color images now replace almost all of the earlier black-and-white photographs. The book, groundbreaking in its original publication, has in the Second Edition been brought up to date and should add considerably to the knowledge of this exciting and popular medium.

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Complete Guide to High-Fire Glazes: Glazing and Firing at Cone 10      

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184 pages Softcover  8 1/2 X 11. all in color 2005
John Britt
With hundreds of recipes for some of the most popular and enduring high-fire glazes used today, this reference will prove a boon to ceramicists who want to master this complex aspect of the art. Author John Britt, who recently served as Clay Coordinator at the respected Penland School of Crafts, has personally tested many of the recipes himself, and carefully reviews every one. He offers a thorough examination of glaze materials, chemistry, and tools, and presents the basics of mixing, application, and firing procedures. There’s specific information on each type of glaze, including copper, iron, shino, salt/soda, crystalline, and more. An exhaustive index of subjects and a separate index of glaze recipes will help ceramicists find what they need, quickly and easily. 

Decorating Techniques (Ceramics Class Series)

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Hardcover 64 pages, May 15, 2000
Joaquim Chavarria
Starting with an introduction to materials and tools, this idea-packed book then shows arts and crafters myriad techniques for transforming standard ceramic pieces into beautifully ornamented, one of a kind treasures for personal or gift use.  This book is divided into 5 sections, each devoted to techniques designed for the category of ceramic to be decorated: damp and unfired ware; leather hard ware; dry ware; dry bisque-fired ware; and glazed ware.  Explained in detail are decoration methods such as incising, carving, casting, sgraffito, engobes, colored pastes, fillettes, reserves, waxes, and many other ways to enhance the surfaces of ceramic pieces.

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Ceramics Class Series: Glazing Techniques

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64 pages, 450 color photos, 9 1/2 x 9 1/2"
Joaquim Chavarria
Step by step photographic sequences demonstrate a variety of techniques while clearly written text guides the reader.  Individually, each book in the series is an excelled introduction to a specific area in ceramics while all three books together create a comprehensive introduction to ceramics as a whole.  Glazing Techniques is a comprehensive yet easy to follow guide for anyone wishing to crate their own ceramic glazes.  Materials, glaze calculation, equipment and application methods are covered along with kiln stacking and firing at all temperature ranges.  Covers glaze defects, Raku, salt, ash, crack, celadon, oxblood, luster glazes, frits and single firing.   

 

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