Tip #39, Choosing a Bisque Temperature
Many people use a certain temperature (Cone number) for bisque firings,
because of habit but not because they have thought about it. So what are
the various factors to consider in deciding how hot to bisque fire your
ware?
The strategies involved in low fire and high fire are actually opposite.
Low Fire: In low fire, the bisque temperature is usually hotter
than the firing temperature. For example, most commercial glazes
recommend bisque firing to Cone 04, and glaze firing to Cone 06 (which
is cooler.) The reason for this is to make sure all the carbon and other
materials in the clay burn out during the bisque firing. If you glaze
fired to a hotter temperature than the bisque, it is possible that more
carbon would burn out during glaze firing, causing blisters in the glaze
which would not have time to heal over.
For some clays this is not a problem. The carbon content in the clay is
low or burns out early. Because of the convenience of having bisque and
glaze in the same kiln load, I have always bisque fired my low fire
pieces at Cone 06, and glaze fired them at Cone 06. I have not had any
problems. But I have heard of other people having problems so it is a
possibility.
Another reason that low fire bisquing is done differently than high
fire, is that glaze is typically brushed or sponged on, not dipped. So
the amount of glaze you add is less dependent on the porosity of the
clay, and more on how you brush it on.
High Fire: Different people have different strategies here, but
by understanding them you will be able to make an informed decision.
The first principle is that you want to bisque low so that the ware is
still very porous and can absorb glazes.
The second principle is that you want to bisque hot enough that your
piece doesn't absorb too much glaze resulting in it being too thick or
actually causing the piece to fall apart. In fact, this is the main
reason to bisque at all.
So between these two extremes you need to settle on a bisque firing
temperature. I have found that most potters bisque somewhere between
Cone 010 and Cone 04, with Cone 06-08 as the most common.
Pros and Cons at the high end.
At Cone 04, you may have problems with the pot not absorbing enough
glaze. This is particularly true if you do glaze layering. However, the
ware is stronger when fired to Cone 04. So you have less chance of
dunting (cracking) during the cooling, which can be a big problem with
large or porcelain ware. In addition, you will have burned out more of
the carbons, which might give better results with certain clays and
glazes.
If you are bisquing to Cone 04, you have to use your glazes at a thicker
consistency. This can be useful because thicker glazes don't settle out
as fast. However, even though ware is stronger (more resistant to
breaking) when bisqued at higher temperature, it is actually more
sensitive to thermal shock because it is less porous and less flexible.
Therefore, when doing Raku you might want to bisque at a lower
temperature so you have more resistance to thermal shock. However, the
right clay body also will take care of this for you so if you use the
right clay it isn't an issue.
Pros and Cons at the low end.
At Cone 010 or lower, the piece may absorb too much glaze, and it is
less strong (easier to crack accidentally in handling, and more likely
to crack from dunting during cooling.) But it is more resistant to
thermal shock.
So, what to do?
If you already use a bisque temperature and it seems to be working,
there is no need to change it. In fact if you do change it, you may need
to adjust the thickness of your glazes.
If you don't have a bisque temperature, or if you are changing clays,
the best advice is to start at Cone 08 to Cone 06. From there you can
adjust up or down using the principles described above. Some specific
indications that you should change your bisque temperature are: If your
bisqued piece does not absorb glaze well, so the glaze sits on the top
of the pot for a long time without drying, then try bisquing to a lower
temperature. If your clay bloats during glaze firing, try raising the
temperature of your bisque firing to burn off more carbonous material in
the clay.
And don't worry too much about it. Most clays and glazes have a pretty
wide range that will work fine.
Copyright 2001 Cindi Anderson
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