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Mastering Cone 6 Glazes, Improving Durability, Fit and Aesthetics

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2002, Softcover.  168 pages, 42 color photos, 15 graphs.
John Hesselberth & Ron Roy
Roy and Hesselberth, two potters well-known for their expertise in glaze chemistry and for their concern for helping potters make glazes that are suitable for their intended use, have collaborated to write a book that is certain to become a classic for potters working at Cone 6.  Do you want your glazes to be durable in use and attractive?  Do you want to be sure they will not leach significant quantities of metals into food or drink?  This is the first book to address these questions in depth.  A wide variety of extensively tested glaze recipes are included as well as detailed guidance on formulating your own glazes.  Do you want to make sure your glazes don't craze?  Or perhaps you do want glazes that craze for a decorative effect.  Do you want to know how you can test your glazes and pottery to be sure they are suitable for their intended use?  All this information and more is explained in terms potters can really understand.  

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This book is has a very good overview of clay and glaze formulas and ingredients.

Clay and Glazes for the Potter

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temporarily unavailable
(352 pages - 2000 )  3rd Edition   
Daniel Rhodes - Revised and Expanded by Robin Hopper
In some sections of the ceramics industry, more has developed in the last 45 years than in the previous 4500.  To address new information and possibilities presented by advances in the industry, noted ceramist, teach, and author Robin Hopper has updated and simplified where necessary Daniel Rhodes' seminal book on fundamentals of ceramic technology.  This revised and expanded edition adheres closely to earlier editions, with addd sections devoted to health hazards and computer calculation programs, and increased color information and expanded photographic images.  Includes all fundamental details on clay (origin, chemical and physical nature, kinds, preparing, drying, firing, etc.) and also practical information on formulating, blending, adjusting colors, textures, earthenware, stoneware, porcelain etc. with recipes.  Glazes are also covered completely: basic theory and fundamentals, originating and calculating recipes, frits, textures, colors, blending, applications, firing, flaws, cures, reduction firing, special glazes and effects, and much more.  It is all in non-technical language.  A must for every hobby craftsman, student, teacher and potter.  250 color photos plus numerous illustrations and charts.

The Ceramic Spectrum : A Simplified Approach to Glaze & Color Development

List Price: $44.95

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Second Edition
Robin Hopper
This well-illustrated book provides proven guidelines-without the usual heavy dependence on chemical formulas and mathematical equations-that all potters can use in developing their own glazes. Includes information on kilns, firing techniques, clay bodies, frits, fluxes, wood ash, crystalline glazes, stains, opacifiers, glaze application and much, much more. A standard in the field.   Contents:

The Basics  Glaze: A Brief Technical History, Pigeonholing: The Classification of Ware Types, Kilns, Temperature and Atmosphere, 
Glaze  Record-Keeping and Testing Procedures, Basic Raw Materials in Ceramics, Frits, Eutectics and Glaze Development with Two Materials, Triaxial Blends, Quadraxial Blends, Fluxes, Flux Variations, Flux Saturations, Wood Ash and Glazes for Once-Firing, Alterations, Glaze Properties, Faults and Defects, Flashers
The Development of Color 
Materials for Color Development, Color Testing: Mixing and Blending, The Ceramic Spectrum, Opacification, Textural Variations, Color in Clays, Slips and Engobes
Attacking the Surface
  Glaze Application
Portfolio
  The Development of a Personal Idiom

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A nice book covering everything about clay and glaze.

Clays & Glazes in Studio Ceramics

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192p  1999
David Scott
Clays and Glazes in Studio Ceramics combines an absorbing text with a wealth of reference material and an abundance of color photographs, providing a clear examination of a complex, often bewildering subject. Suitable for all levels of ability-from beginning potter to expert-it is a lucid, accessible source of information. Nearly 200 color photographs place the subject in vivid contemporary and historical context-a vital ingredient in the relationship of theory to practice. Clays and Glazes in Studio Ceramics is an ideal companion to help ceramists of all levels develop confidence and independence in their art. David Scott studied ceramics at the Royal College of Art and has exhibited his work throughout Europe. He has pieces in many collections, including the Victoria & Albert Museum

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This book is mostly text (not pictures) but is very good at explaining compositions and materials.

Glazes for the Craft Potter

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160 pages, 77 color and B&W photos.  7 1/2 x 9 1/2", paperback  1998  
Harry Fraser
This New Edition of the classic book on glaze technology is a "must have" reference book for potters who make their own glazes.  It covers glaze calculation, composition, preparation and application with clearly written text and numerous illustrations.  New chapters on trouble shooting, glaze faults and health and safety issues have been added.  Selected contents: Basic chemistry, structure, properties; Effect of heat; Composition and formula; The constituent oxides; The raw materials; Glaze calculations; Acid resistance and lead release; Opacifiers; Glaze preparation; Pottery faults and their remedies.

 

 

 

 

Revealing Glazes: Using the Grid Method

List Price: $40.00

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2000, Paperback  
Ian Currie

A follow-up, but not a replacement for Stoneware Glazes, Revealing Glazes shows in detail how to use the grid method to identify unique and exciting glazes.  Taking any glaze, you vary the amounts of alumina and silica to determine the optimum recipe for your goals.  No math is required, just use the tables provided in the book to work out the ratios. This book explains everything you need to follow this method.  It is a method not based on theory, but on empirical results.  You will systematically create 35 variations of your glaze, place them in a 5 by 7 grid, fire the grid and see the results of each variation.  This is a great way to fix a glaze that's not working, or create new glazes with interesting effects.  

Working with Paper Clay and Other Additives

List Price: $45

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176 pages  1861263376
Anne Lightwood
Using fibers with clay is not a new idea - the Old Testament recounts that the Israelites rose in revolt because they could not make bricks without straw - but using fibers absorbed within the structure of the clay body is a concept that has recently, and rapidly, taken root among potters. Paperclay is now widely recognized as a material that allows great freedom of expression, relieving the maker of many of the technical problems associated with conventional clays. In colleges it is now seen simply as another available material and its use has become almost routine but, for potters working alone without the backing of such technical advice, there remain questions to be answered and theories to be explained.

With lavish illustrations throughout, 'Working with Paperclay', provides the expertise to inspire potters to discover this exciting material and, for those already smitten, to try new techniques and ideas by drawing on the examples and experiences of many different artists.

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Contemporary Ceramic Formulas

List Price: $21.60

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112 pages, 8.5"x11" paperback
John Conrad
Featuring formulas for today's needs.  A comprehensive collection of ceramic formulas most in demand today.  Clay bodies, earthenware glazes, once-fire glazes, stoneware glazes, refractory formulas, crystal glazes, and more.  

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Ceramic Formulas: The Complete Compendium

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112 pages, 8 1/2 x 11", paperback
John Conrad
Over 700 tested formulas covering 4 areas of ceramics: Clay (earthenware, stoneware, porcelain, Egyptian paste, Raku, colorants, stains and engobes), Glaze (translucent to opaque, luster, matte, semi-gloss, gloss, crystalline, slip-glaze, colorants), Enamel (colors, clear, transparent, opaque), Glass (clear, translucent, opaque, luster, reduction, oxidation).

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Glazes, Cone 6  1240 degrees C

List Price: $28.95

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128 pages, 332 color photos, 4 sketches.
Michael Bailey
This handbook, which focuses on stoneware glazes fired to Cone 6 in an electric kiln, is primarily "a recipe book with various base glazes and illustrations suggesting coloring oxide additions," comments the author.  After briefly discussing variables that can affect glazes, glaze components and recipe structure, Bailey begins with a selection of transparent glazes and their color variations.  Bailey also explores "the idea of unbalancing the glaze in various ways" describing alumina matt, high-alkaline earth matts, macrocrystallize zinc glaze, high-alkaline and high-silica glazes.  He then covers unity formula and percentage analysis, and glaze fit.  Final chapters example Jun glazes, orange red iron glazes, lusters and raw artists.

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Smashing Glazes

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128 pages, 138 color photos.
Susan Peterson
"No two glazes of the same batch will fire the same in different kilns, with different fuels, in different places or at different altitudes," notes the author of this nicely illustrated survey of signature glazes by contemporary ceramists from throughout the world.  Divided into four sections-- low fire, medium fire, high fire and alternative surfaces-- the book provides examples of works by over 50 contemporary artists.  Each entry includes the artist's technical statement about the work, glaze recipes, clay body and firing information, as well as a photo of finished work.  

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Out of the Earth, Into the Fire; A course in ceramic materials for the studio potter

List Price: $49.95

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Paperback, 300 pages, 65 color photos. Second edition.
Mimi Obstler
This updated edition adds new excitement to the best-selling book.  Like the original, this book studies glazes by examining the connection between the raw materials of the earth and the surface of a ceramic form.  The focus lies not only on the final ceramic result, but also on the minerals and rocks that create the ceramic materials.  Thorough updating of the text, revised and expanded appendixes, and 56 new color photos make this an even more valuable resource.  

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The Glaze Book

List Price: $39.95

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Hardcover, 6.75"x8", 320 pages, 200+ color photos.   2002
Stephen Murfitt
Readers will find anything and everything they want to know about glazes in this one practical and workshop friendly volume.  More than 1000 glazes are illustrated so readers can see the color and surface response each offers.  The book covers utilitarian domestic ware and decorative ceramics, as well as firing and glazing techniques for both.  It also features valuable information on preparation, application techniques, health and safety considerations, and kiln firing cycles.  Author Murfitt specializes in the process of raku and smoke-fired, hand-made ceramics.  His pots have been widely exhibited.  Valuable information on health and safety considerations.

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Ceramic Technology for Potters and Sculptors

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440 pages | 6 1/8 x 9 1/4 | 34 color, 93 b/w illus. 1996
Yvonne Hutchinson Cuff
Ceramic Technology for Potters and Sculptors is an accessible, comprehensive instructional manual that demonstrates the technology involved in making and firing ceramics. Divided into three parts--Background Sciences, Workshop Practice, and Raw Materials; Clay Bodies, Slips, and Casting Slips; and Glaze and Color--this book covers the whole process from start to finish. Yvonne Hutchinson Cuff carefully guides both experience and amateur potters through 46 exercises, offering a full and detailed explanation of the expected results together with supporting discussion.

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Glazes: Materials, Recipes and Techniques

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Various
A collection of articles published in Ceramics Monthly dealing with glazes. Written by and about artists and experts, these articles cover a wide range of materials, recipes and techniques used in the glazing of work by both studio potters and ceramic artists. This book is a great example of how the modern potter uses a combination of trial-and-error discoveries along with information from scientists and engineers in the field to achieve unique effects that are the signature of the current ceramics art movement.
Color and the Ceramic Surface: Alchemy or Science? by Robin Hopper
Ordering Raw Materials by Jeff Zamek
Additives for Glazes by Jeff Zamek
Glaze Material Substitutions by Jeff Zamek
Gerstley Borate and Colemanite by Jeff Zamek
Substitutions for Gerstley Borate by Jeff Zamek
Is Barium Carbonate Safe? by Jeff Zamek
Using Rare Earth Colorants by David Pier
Using Soluble Colorants at Stoneware Temperatures by Kurt Wild
Formulating Glazes by Richard A. Eppler
Versatile Cone 06-6 Clays and Engobes by Gerald Rowan
Cone 06-6 Vitreous Engobes by Gerald Rowan
Variation with One Base Glaze by Melvin D. Rowe
Electric Kiln Copper Reds by Robert S. Pearson and Beatrice I. Pearson
More Electric Kiln Copper Reds by Robert S. Pearson and Beatrice I. Pearson
Cone 5 Blue Glazes by Dwain Naragon
Cone 5 White Glazes by Dwain Naragon
Cone 5 Oxidation Glazes by Anthony Bellesorte
Hobart Cowles White Glazes by Lili Krakowski
Hobart Cowles Tan and Brown Glazes by Lili Krakowski
Hobart Cowles Blue and Green Glazes by Lili Krakowski
Black Friday by Jeff Zamek
Cone 6 Oxidation Slips and Glazes by Gerald Rowan
A Palette of Cone 6 Oxidation Glazes by Jeff Dietrich
Cone 08-6 Self-Glazing Clays by Gerald Rowan
Cone 5-6 Reduction Glazes by Paul Woolery
Cone 6 Reduction: Great Glazes and Smart Savings by Rick Malmgren
Cone 3-6 Data Bank Glazes by Harold J. McWhinnie
Cone 4-6 Oxidation Glazes by Harold J. McWhinnie
A Cone 6-10 Glaze Palette by Harold J. McWhinnie
Cone 3-8 Rutile Glazes by Harold J. McWhinnie
Lichenlike Surfaces by Lana Wilson
The Fugitive Blue Chun by Emman Okunna
Awka Oil-Spot Glaze by Emman Okunna
Converting to Oxidation Glazes by Melvin D. Rowe
Glaze Dipping: Tubs and Tongs by Bennett Welsh
Bob Reed: Landscape and Motion by Von D. Allen
China Paint: The Ultimate Low Fire by Paul Lewing
Old Glazes, New Words by John Chalke
Layered Cone 6 and Cone 06 Glazes by Lana Wilson
When Bad Glazes Happen to Good Potters: An Unsolved Mystery by Cynthia Spencer
Jim Koudelka’s Layered Contraptions by Daniel Duford
Five Steps to Stop Glaze Shivering, by Jeff Zamek
A Garden Niche by Trevor E. Youngberg
Wood-Ash Glazing at Cone 6 by Harry Spring
Kathleen Guss and Stephen Robison by Clive Clintonson
George McCauley by Peter Held
Wayne Bates by Sandy Miller Sasso
Eight Steps to Stop Crazing by Jeff Zamek
Glaze Crawling: Causes and Corrections, by Jeff Zamek
A Wood-Fired Look from an Electric Kiln by Richard Busch

 

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